As I wrote S-Curve in early 2022, I settled on a Spanish feel using a Phrygian […]
A terrifying and powerfully destructive event may lead to the creation of life's necessities.
I wrote Entanglement in December of 2021 trying something a little harder than what I'm used to.
God bestowed a great privilege to His creatures; the dignity of causality.
I wrote Singularly on the twentieth anniversary of 911 to create a sense of intention and focus on what is essential and worthwhile.
This track kept drawing me back to ancient near east history I am currently studying, specifically […]
As this piece came together, I thought about the absolute aesthetic good beyond our horizon, that which the angels eagerly desire a glimpse.
I wrote Seven Petals in August of 2021 while experimenting with Arps of various progressions and timings.
A hard-EDM track using the Izotope Tonal Balance control.
We all desire to have a substantive worldview. Constrictive thinking is a tool to help us get there.
Originally written in 2015, Unruined is an odd track I created using a plugin called Trillian. […]
I wrote Divers Colors as the Gulf waters finally started to warm and the rich colors […]
yin-yang
The world consists of opposing yet complementary features in multiple domains where flourishing exists somewhere in the center.
Obsidian represents the way things tend in the natural world. Similarly, in the spiritual world, the man left to his own devices tends to darkness.
I wrote Crystal Flow in February of 2021 during a week of rain and fog.
When I turned forty, I decided to start writing music. My intent was (and still is) […]
I wrote Oscillation in early 2021 and employed Superior Drummer 3.
Nina street was the epicenter of adventure; it was ground-zero for numerous escapades.
Rather than comparing and contrasting the camps between realism and nominalism, let us start with a blank slate and avoid the past's muddy waters.
This track has two different themes, an upbeat one, and a more brooding variation. I liken […]